Lost In The Dream represents the trials of the trip and the triumphs of its destination. "I wanted there to be a singular voice, but I wanted it to be a project of great friends. Everyone in the band cares about it so much," he says. "That is the crux of it-growing up, dealing with life, having close friends, helping each other get by. That is what the record's all about." As such, these tunes reveal a careful and thrilling reinvention of the sound that's become The War on Drugs' trademark. The signature meld of long tones and scattershot layers still stands, with phantom drum machines and organ lines dotting the musical middle distance all across Lost In The Dream. Note the way the keys whisper against the guitar's growl as the tempestuous "An Ocean in Between the Waves" approaches pentecostal heat. Hear how, when a sharp and hard riff cuts into the inescapable chorus of "Red Eyes," synthetic strings and baritone saxophone shape a soft, infinite bed beneath it. But there's a newfound directness to these tunes, too. Granduciel's voice steps out from behind its typical web of effects-louder now, with more experiences to share and more steel from having survived them. He sounds less like a prismatic reflection of a rock bandleader, more like the emboldened actualization of that idea. With its crisp, unencumbered delivery, "Eyes to the Wind" becomes the album's centerpiece and the group's new anthem. This is Granduciel's to-date triumph and the exact moment where Lost In The Dream moves from a tale of confusion to one of resolve. Throughout most of the record, grips loosen and senses fail, memories are mourned and expectations are abandoned. But after the Rolling Thunder lift of "Eyes to the Wind," Granduciel finds new contentment and direction. Anguish sublimates into deliverance. Backed by his bros, Granduciel becomes a preacher in a new pulpit.
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