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Trekky Records is proud to announce the release of Midtown Dickens' third album, <em>Home</em>, the band's most stunning and accomplished work to date. Midtown Dickens have never sounded more bold or graceful than they do across these 11 gorgeous meditations on the themes of home (both literal and abstract), family (blood and chosen) and space (within us and about us). <em>Home</em> is the sound of journey and motion; the pulling apart and coming together we experience as we search for our place in the world.

<em>Home</em> is also Midtown Dickens' most collaborative release, expanding the core duo of songwriters/vocalists Kym Register and Catherine Edgerton to include multi-instrumentalists Will Hackney and Jonathan Henderson. Recorded between tours in a near-constant year of traveling (including jaunts with kindred-spirits The Mountain Goats, Megafaun, and Lost in the Trees) the album reveals a band moving effortlessly as one. This unity brings focus and warmth to Edgerton and Register's dark folk compositions.

<em>Home</em> was recorded by long-time collaborator <strong>Scott Solter</strong> (Spoon, St. Vincent, The Mountain Goats) at his studio in Monroe, North Carolina. The remote location afforded Midtown Dickens the time and space to delve into the most adventurous, experimental, and focused sessions of the band's career. At first listen, it is clear that <em>Home</em> marks a dramatic shift in Midtown Dickens' sonic world. While still anchored by acoustic, folk instrumentation (banjo, mandolin, acoustic guitar, upright bass), the album also wields layers of overdriven bowed cymbals, musical saws drowning in reverb and walls-of-sound that push acoustic instruments to places they've never been before. Yet the band never allows the noise to obscure the soul of the song, and without a doubt these are the most realized and lucid songs Register and Edgerton have ever written, modern standards. <em>Home</em> evokes the stunning colors of Carolina tobacco fields and Appalachian mountain ranges, re-imagined and re-contextualized in a way that is undeniably Midtown Dickens.
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