Much of Sunday Valley's power comes from their live set where fans are singing along with almost every song, and a single tune can go on for ten minutes, threatening to whip the crowd into a nigh-ecstatic frenzy.

SV's first full-length album, To The Wind And On To Heaven, is a prime example of controlled chaos. Their first EP was recorded within a few months of the band first starting to drop jaws on bar floors all over Lexington. Now, thanks in part to the talents and studio space provided by Duane Lundy of Shangri-la Productions, good timing was central to tackling a project the scale of To The Wind.

And in this album, the intensity and versatility of their stage performance is harnessed in ten songs, which, from top to bottom, serve as an airtight trek through the at once intimate and universal landscape of soulful bluegrass, rock, and roots music.

There are some who might argue that Sunday Valley's unique sonic blend and delivery defies genre; they've been labeled "bluegrass rock," "honky tonk," and even "cowpunk." Bassist and background vocalist, Gerald Evans, thinks SV's sound goes far beyond conventions laid down by mainstream standards, "In order to define our music, it would be best to maybe define it as diverse because we all come from three different areas."

John Sturgill Simpson, on guitar and lead vocals, agrees that the band comes from a range of influences, "But I think the thing that grounds our sound more than anything, is as soon as I open my mouth it's gonna sound country or hillbilly...so there's always a core root country sound."

Drummer, Edgar "Animal" Purdom, attributes the flexibility of sound to the years spent playing together. "We've had a long time to sit on some of these songs...we were excited to add a fiddle part or excited to add keys, but in the same breath, excited to take those things away and give it a more naked sound...the idea was to not compromise, to not say 'okay' because that's the easiest thing."

This methodical attention to detail and content in To The Wind is clear. According to Simpson, the band has worked diligently to retain the purity of Sunday Valley's style, "I think we're still the same band we were who made that album five or six years ago, we're just better musicians now. Definitely the rawness and the intensity is intentional because that's what we do, I just think we're better at doing it then we were when we first started."

Purdom echoes these sentiments, "Sometimes it just feels like we're reading each other's minds up there. Just letting the songs breathe and letting the song take us for awhile instead of us taking the song somewhere...that's what makes it so much fun."

To The Wind includes tunes that long-time fans will appreciate, including "Sometimes Wine," "Old Sunshine," "I Wonder," and "Jesus Boogie." These songs are honed and full-bodied, reaching deeply and taking new risks. Additionally, one of the wonderful aspects of To The Wind, is at times, there is a delicacy that might not always read through the ambiance of a live show. For instance, on "Oh, Sarah," and "I Don't Mind," a fiddle threads through effortlessly, a gust of raw silk alongside the denim as Sturgill's throaty tenor colors in point-blank lyrics taking the listener from the floorboards to the rafters, sometimes within the same breath.

At the end of the day, Simpson maintains it's the power of the fans and the audience that keep a working musician in business, "To get up and sing that song that you wrote about your life and see a roomful of people relate to it and connect to it and sing it back to you, I can't put that into words. It's a beautiful thing is the only thing I could call it."

-Bianca Spriggs, ACE Weekly Lexington, Ky


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